Comedian Angela Barnes is bringing her latest show, Rose Tinted, to Barton upon Humber’s Ropery Hall.
The show was a sell-out at last year’s Edinburgh Fringe earning some well-earned critical acclaim that she is now taking on tour.
“You may have seen or heard Angela on a number of topical comedy TV and radio shows, and do you know what? She is just about fed up of the news!” said Liz Bennet of The Ropewalk. “What’s more she’s anxious, she’s depressed and she’s fatigued. Bored of Brexit, tired of Trump and knackered by North Korea”.
According to Angela the world is going to hell in a handcart and being a natural pessimist, Angela is fed up of commentating on it all as it happens.
But can a renowned pessimist really find it in herself to accentuate the positive, look on the bright side and pop on her rose-tinted specs to make the bad stuff go away? Just for a little bit? Like maybe for an hour?
Or is she better off confronting the horrible stuff and laughing in its ugly face? This is stand-up and stories from a woman who is just, like the rest of us, trying to live her life… and wouldn’t mind a taste of that ignorant bliss she’s heard so much about!
Before becoming a comedian, Angela worked in health and social care. In 2011, she won the BBC New Comedy Award and became a finalist at the 2011 Latitude Festival New Act of the Year competition. Since then Angela has become a regular on BBC’s The News Quiz, Newsjack and Mock The Week. She has also appeared on Live at The Apollo (BBC2), The Now Show (BBC Radio 4), Stand Up For The Week (Channel 4 / Open Mic) and Russell Howard’s Good News (BBC3).
Angela will be taking to the Ropery Hall stage on Friday, September 27, at 8pm. Tickets cost £14 in advance or £16 on the door. Tickets can be bought online at www.roperyhall.co.uk, by telephoning 01652 660380 or in person at The Ropewalk’s Craft Gallery.
The Barton Film Premiere
Nine Years is a coming of age story following a headstrong Bartonian teen pursuing her dreams of a career in music, set in the shadow of the building of the Humber Bridge. Based on real life stories with music by Paul Heaton of The Beautiful South. Built by Fox&Cox Productions and ENON Films
Bluegrass band The Often Herd transcend the traditional boundaries of the genre. Although they might resemble an American string band, complete with driving energy, tight vocal harmonies and dazzling instrumental interplay, their vibrant, transatlantic sound is deeply coloured by their surroundings; the striking natural and industrial landscapes of Northern England. This unique approach won them the title of “Best European Bluegrass Band 2018” at the prestigious La Roche Bluegrass Festival in France.
Rupert Hughes (guitar) and Evan Davies (mandolin), write songs steeped in personal experience whilst drawing from a wide pool of influences ranging from old-time to psychedelia. American-born fiddler Niles Krieger and jazz bassist Sam Quintana add fiery instrumental skills to the mix, launching the band’s arrangements into the stratosphere. Together, their sound is both boldly contemporary and soothingly familiar, taking time-honoured traditions to new places with a fresh perspective.
The band played at an impressive number of festivals this summer (including The Long Road, Broadstairs Music Week, Ely Folk Festival & Priddy Folk Festival) and have previously showcased at IBMA Bluegrass Ramble and Americana Music Week, Hackney. They released their debut album ‘Where The Big Lamp Shines’ in June 2022, recorded with producer Tom Moore (Slow Worm Records, Moore, Moss, Rutter).
I’m not sure if it gets much better, either in terms of music from the North-East or terms of bluegrass, than The Often Herd – Mark Walsh, BBC Radio Cambridgeshire
A study in virtuosity from a supremely talented group of musicians – NARC
Traditional, inventive, tight and sharp… for those who think they don’t like bluegrass this could be the point they change their minds – FolkWords
The Haar introduces the formidable singing talent of All-Ireland Scór na nÓg winner Molly Donnery combined with three of the most exciting instrumentalists on the folk and traditional music circuit: Cormac Byrne (BBC Folk Award/Show of Hands/Seth Lakeman), Adam Summerhayes, and Murray Grainger (both of the FATEA award-winning Ciderhouse Rebellion).
This is music that is not afraid to transcend borders – whilst recognisably born of the traditional music that all members have grown up with. The Haar are unapologetic in pushing the boundaries to create a unique and compelling sound.
The origins of the band go back to a chance meeting between Adam, Cormac and Molly at a session at the Craiceann Bodhrán Festival. This resulted in an improvised performance recorded by the shipwreck of the Plassey on the west coast of Ireland. It was to become typical of the unique “live reactive composition” that characterises their music. With the addition of master accordionist Grainger, they entered the studio at the end of 2019 to record their first album.
Their self-titled debut, released in June 2020, is a collection of traditional Irish songs tackling love, poverty and oppression. It was heralded as “a splendid balance of swirling instrumental magic and beautifully sung narratives” by Folk Radio UK and garnered attention from Mike Harding who described it as “absolutely amazing”.
The latest album, entitled Where Old Ghosts Meet received multiple rave reviews and has paved the way for outstanding festival appearances at Shrewsbury, Beardy Folk, and at other prestigious stages.
A sweeping panorama of Irish traditional music and song – Songlines
Very rarely does an album appear unheralded and threaten to make a major impact. The Haar is one of those rarities – Folking.com
We need more music like this; spontaneous, alive and affecting, The Haar will take you on a journey and have you appreciating the purest of life’s pleasures. Wonderful stuff – Folk Radio UK.
Molly, Adam, Cormac and Murray have daringly turned this oh-so-familiar repertoire completely on its head and produced what is an inspiring and delightfully bold work of art – Folk Wales
Full of great traditional music, just sung and played brilliantly – Mike Harding
“The Haar conjuring magic that had long been hidden in plain sight, responding melodically in a mesmerising impromptu arc of artistry.” Irish Music Magazine
Another installment of our ever popular comedy night.
Writer/Performer of original Spoken Word and host of the #StandUpPoet podcast on iTunes, Spotify etc…
Funny, witty, outraged, plain silly, sometimes just poignant or cathartic, but always “keeps you constantly engaged” (Kansas City Star, USA) delivering verses on life, the universe and everything (ish)… Verses inspired by modern day and social comment performed with a twinkle, a laugh, and a wry pointy finger! Plus sporadic anecdotes, wit, and his unique 55 word stories.
Greg has performed in theatres, bookshops, on beaches, under the stars, in tents, village halls, restaurants and bars in the UK, USA, Australia, New Zealand and Japan…
Like watching John Cooper Clarke snog John Hegley while Pam Ayres watches – BBC Radio
A MUST SEE SHOW! There’s a power in the words and delivery… An excellent show for people who like their comedy to make them think – FringeReview
A purveyor of words and language that delight the ear and feed the soul – RAW
Byron is a masterful performer with a hypnotic delivery – Reviews Hub
This performance is part of our Members’ 241 Offer. Please ask for details
Michael Smith is the author of a number of widely acclaimed books about spies and special forces, including the Sunday Times No 1 bestseller Station X: The Codebreakers of Bletchley Park and the New York Times bestseller Killer Elite: America’s Most Secret Special Operations Team. He served in British military intelligence before becoming an award-winning journalist with the BBC, the Daily Telegraph and the Sunday Times.
Foley: The Spy Who Saved 10,000 Jews
Frank Foley was MI6 head of station in Berlin in the 1920s and ‘30s. The full extent of what he did was only revealed in Michael Smith’s best selling 1999 biography Foley: The Spy Who Saved 10,000 Jews.
Bletchley Park and the Birth of the Special Relationship
Based on the opening chapters of Smith’s most recent, and widely acclaimed book The Real Special Relationship, this focuses on how the British and US codebreakers linked up even before America had entered the Second World War. Michael describes how intelligence from MI6, GCHQ and the little-known BBC Monitoring Service played key roles.
Intelligence and the 1962 Cuban Missile Crisis
Michael will explain how intelligence actually worked during the 1962 Missile Crisis. when the Soviet Union tried to base surface-to surface missiles capable of hitting most of the United States on Cuba.
Presented in association with Clive Conway Productions.
